wrysanity

  • Rolled credits: Control

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    Well, I definitely waited way too long to play this game.

    While you can fairly level a few criticisms at the game (an uninteresting skill tree, not enough definition in the weapon variety, the ending?) it’s an excellent game.

    More and more, I tend to vibe with a game based on how well-realised the world is, or how close the developers hit the mark with what they “were going for”. Control oozes style – a sense of place, mood and tone. And the game gives the spaces a reason-to-be with kinetic satisfying combat.

    Highly recommended.

    Watch after playing:

    “Brutalist buildings have a tendency to loom. They’ve got too many windows, or none windows…”

    Simone de Rochefort – Polygon

  • Now playing: Control

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    I started, then bounced off Control back when the Ultimate Edition first went on sale.

    At the time, I recall, there was a dire lack of save points in the game – which meant early on when I found a difficult room, I had to run down 8 hallways to get back to the death-room just to die all over again.

    Maybe I was getting frustrated, or maybe I was just worse at gaming (probably both), but that experience was enough to send me looking for something else to play.

    So after I finished Jedi Survivor I decided to forgo the enticing call of Diablo IV and head to The Oldest House instead.

    Well, I love it.

    It’s conceptually deep, with fun combat and a unique way of presenting the world. It’s probably my favourite game I’ve played this year so far.

    Let’s see how it holds up.

  • Rolled credits: Jedi Survivor

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    Combat, movement, romance, drama – everything about Survivor was dialed up from Fallen Order.

    The levels are excellent, both in design and dressing, with gorgeous textures, foliage and lighting. Combat is tight and responsive, with much better boss balancing as compared to Fallen Order. Story and production are top-tier, which incredible music and sound, and wonderful performances.

    The only real shame was performance. I played 30fps for the vast majority of the game, which took a little getting used to, but to me fell more immersive. Even then certain areas on Koboh absolutely chug, and I switched to 60fps for the final bosses (no spoilers).

    Jedi: Survivor is up there for me in the best game I’ve played this year – it’ll definitely be on my top ten. Highly recommended!

  • The coolest games I saw today – Summer Games, Dev of the Devs, Devolver Direct

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    Despite the ghost of E3 looming over June, the Summer Games Fest, Day of the Devs and Devolver Direct all went live today.

    I sorted through the avalanche of announcements and trailers to find the *coolest* stuff!

    Keep reading

  • Rolled credits: Planet of Lana

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    Planet of Lana wears it influences on its sleeve, and while I don’t think it reaches the highest highs of Playground’s INSIDE, the fact that you can fairly compare the two is a huge compliment to Wishfully Studios – made even more impressive by the fact it’s their first game.

    Planet of Lana is a genuinely polished experience – it’s well paced, beautifully art directed and staged, wonderfully scored. The story and acting are simple but very effective, with the gameplay journey propelling you towards an emotionally resonant conclusion via puzzles, traversal and cinematic moments.

    Recommended: Luke Lohr’s interview with Creative Director, Adam Stjärnljus has some fantastic insight into the game’s development, including composer Takeshi Furukawa emailing him out of the blue to discuss scoring the game (Adam initially thought it was a hoax).

  • Linked: Behind the development of Redfall

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    …to the makers of Redfall, the mediocre reception was no big surprise. The project suffered from unclear direction, frequent attrition and a perennial lack of staff, according to more than a dozen people who worked on the game.

    Jason Schreier

    Bloomberg’s Jason Schreier spoke to several anonymous developers about Redfall, and what led to the disastrous launch.

    A few notes:

    • Redfall development began during a tumultuous time when Zenimax was looking to be acquired. Their games historically had been critically well received but failed to sell huge numbers. This lead to a mandated focus on more “service” type games and MTX oppotunities.
    • Reportedly up to 70% of the developers that worked on Prey left the studio, and they then had difficulties hiring for a live service co-op game when the studio’s reputation was built on im-sim single player experiences.
    • The game had microtransaction plans in place for its first three years of development; this was ultimately scrapped.
    • Some working staff had privately hoped Microsoft would cancel the game, or allow for a full reboot.

    Inside the making of Redfall, Xbox’s latest misfire [Bloomberg]

  • Now Playing: Planet of Lana

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    Planet of Lana wears it’s inspirations on its sleeve, but isn’t bound by them.

    As a huge (huge) fan of INSIDE and the Ori games, I wondered if PoL wouldn’t quite do enough to break free of the outrageous standard of quality and polish those games have set the genre. And while it doesn’t quite hit those lofty heights, in my experience so far it is at least in the conversation, which is a huge compliment.

    Dense but clear environments, a wonderful soundscape, and thoughtful level design are the standouts so far. I wondered if the puzzling would end up overly simplistic or stale, but the first full cave section has alleviated my worries.

    I’ll likely complete Planet of Lana in the next day or two. More soon…

  • No, idiots, GTA 6 is not going to be a PlayStation exclusive

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    In late February 2019 an anonymous game developer posted a leak on Pastebin. They claimed to be employed by a small studio contracting on a PS5 launch title.

    Keep reading

  • Now playing: Jedi Survivor

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    Like what I assume is half the world, I’m playing Jedi Survivor at the moment.

    It’s incredible, taking everything from Fallen Order and dialling it up to 11 – the action, presentation, cutscenes, systems, stories, animation, environments. It’s very, very impressive.

    I’m playing at 30fps, quality mode. It does take some time to get used to, but the presentation is fantastic, the frame rate is solid, and UE4’s motion blur helps a lot.

    I get the feeling I’ll be spending a lot of time with this one.

  • Linked: Xbox “wasn’t involved” with Redfall

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    I’m still gathering evidence on exactly why or how Redfall was allowed to release in this state […] However, I have been told by multiple sources that Xbox was entirely hands-off with the project, and that the game doesn’t fall under Xbox Game Studios’ director Matt Booty’s responsibilities — because rightly or wrongly, right now, Arkane is not an Xbox Game Studio by internal definition.  

    Jez Corden

    Xbox wasn’t involved with Redfall, but it’s still blamed for its quality [windowscentral.com]

  • Now playing Redfall + the reviews are in

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    I have to admit, after seeing gameplay leaks and slight hints of what the reviews would look like, I installed Redfall this morning to check it out for myself.

    Even with the middling reviews, everything people have been saying – even the not-so-great stuff – the idea of the game kinda started roping me in.

    I’ll point you at these two reviews, which I feel are even handed and point out exactly how the game fails to land the more lacklustre aspects.

    For myself, I’m bummed that 60fps is missing at launch, as I could really settle into the world I’ve seen so far. Hopefully that feature is weeks, not months, away.

  • Predicting the updated Xbox Dashboard

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    My prediction.

    New Xbox dashboard layout is on the horizon, and it’s looking good. 😍

    It’s not an overhaul, but it addresses feedback you’ve all been asking them to address.

    @JezCorden

    In the 2nd half of 2022 Xbox started testing an alternate dashboard layout that focussed heavily on dynamic Game Pass content.

    Generally speaking, Xbox fans rejected the entire premise of this experiment. In fact the majority of the most popular requests for improving the dashboard experience have gone unanswered for a long time.

    It seems they are (for now) rolling back that experiment, and have instead decided to action one of the most common complaints: The dashboard is too busy, and no one can see their dynamic backgrounds.

    So what will this new dashboard look like?

    Keep reading

  • Limited edition Redfall controllers on Xbox Design Lab

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    Yes, yes. Ok. get your ‘xbox has more controllers than games’ joke out of the way now.

    Today Xbox announced a new suite of limited edition Design Lab controllers, made especially for Redfall.

    Each controller comes with a custom design top plate, a fixed palette of colours to customise with, and four engraving options for the battery cover. They’re nice!

    At the start of April a purported Starfield controller leaked on a resale app in China. After a day or so, someone figured out that the person who listed the controller was also a modding enthusiast, which caused most people to pass this off as a custom job.

    I’m not so sure.

    Keep reading

  • Sony’s bumbling cloud gaming strategy

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    Apropos of nothing in particular today…

    Sean Hollister writing for The Verge in 2019:

    Stop me if you’ve heard this one before: a video game platform that lets you play games with the press of a button, no need for discs or downloads… Experience the latest and greatest games on your ancient laptop, phone, or tablet, thanks to remote servers instead of having to buy a console or build a powerful gaming PC. Fire up a game on the TV, then seamlessly pick it up on your mobile device…

    If that sounds like the lofty pitch for Google’s Stadia cloud gaming service, you’ve been paying attention. But every single one of those things was promised years ago by a startup named Gaikai — a startup that Sony bought in 2012 for $380 million. At the time, Sony gave every indication that it would harness the full potential of a PlayStation cloud. It even bought Gaikai’s closest competitor, OnLive, in 2015 and launched a service called PlayStation Now that finally hit 1 million subscribers this October. But half a decade later, the company has barely tapped into cloud gaming’s promise, and competitors like Google seem poised to attract the gamers that Sony failed to convert.

    Sean Hollister

    How Sony bought, and squandered, the future of gaming [theverge.com]

  • Sorry everyone… People are not going to stop talking about Microsoft’s ABK acquisition once it’s done

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    The New York Post is reporting that Microsoft intends to close it’s ABK acquisition, despite any ongoing roadblocks from the FTC in the United States. This report includes a spicy quote via a source that “they are going to cram this down the FTC’s throats”. 😳

    It’s been widely reported that the CMA (UK) will approve the deal this week (Update: in a huge move this did not happen, the CMA blocked the deal!), and most observers anticipate the EU will follow in May.

    Today’s reporting has been met with some optimism on Twitter that once that deal is “done” everyone will move on…

    Whatever it takes so we can stop talking about it!!!

    @NeoGameSpark

    Ain’t no way.

    Even if the close the deal in May/June, all of these topics will continue to play out loudly in social media spaces:

    • FTC machinations are ongoing. Microsoft might close he deal in spite of the FTC dragging its heels, but that means the FTC may sue for an injunction. Microsoft are obviously confident in their position since the FTC will, globally speaking, be out on a limb all on their lonesome.
    • We have no idea what the acquisition means for Game Pass. FTC activity might hamper any meaningful business integration in the immediate term – so when will the games come?
    • Any and all ABK game news/announcements will be the subject of intense console war noise well into 2024 and beyond.

    If you’re into the banter, you’re going to keep having a good time.

    If you think it sucks, keep that block button ready.

  • Sea of Thieves: Season 9

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    Season 9 of Sea of Thieves introduced a big refresh for world events – both the frequency and tuning (nerfs, mostly).

    While some die-hard players have responded negatively to some of the challenge being removed, I think the upside has been worth it. Events popping more frequently and finishing more quickly means more activity on the seas, which means more player encounters and more loot in play.

    The player-base has responded strongly too. The last 30 days has the highest concurrent peak on Steam since July 2021, and highest average concurrency since July 2022, according to Steam Charts.

    I’m a big fan of the lvl 100 legendary reward, the Legendary Bone Hunter Jacket (above), but I do think the last 20 levels of the seasonal progression were a little light on cosmetics to drive you through to the end.

    🏴‍☠️